• Executing Audio Engineer responsibilities for VIVE Sunday Worship Experiences and events as requested.
• Complete the necessary pre-production required in order to execute the Worship Experiences. 
• Participate in training to improve the execution of live mixes and post-production
• On-time arrival, set up and bump out of audio equipment and cabling
• Preparation of session files, saved preferences and special elements
• Live mixing for the Sunday Worship Experience, and other events as applicable, including the recording of multi-tracks
• Engagement in central pre-production and training
• Build a “best-practice” document or a SOP for all audio operators that NGE contracts.
• Act as a contributor to steward a show’s creative vision through the live video suggestions and to push innovation forward in field.
• Keep up with software updates and patch notes with audio systems and be aware of what new features are being added /removed between versions. 
• Report findings to the engineering team can implement notes.

Skills: Audio Engineering Expertise, Pre-production Management, Continuous Learning and Training, Punctuality and Reliability, Documentation and SOPs, Collaborative Communication, Software Proficiency, Problem Solving and Adaptability

• Ensure the audio performs as design. 
• Solve the audio problems and make sure the build delivery as expected.
• Interaction with US counter-partners and cross-function teams in product development and support builds at contract manufacturers.
• Audio system design and production assembly process review with cross function team.
• Audio failure analysis and corrective action follow up. 
• Drive the root cause analysis with audio function and performance failures. 
• Make DOE plan for improvement. 
• Check and drive the output of corrective action.
• Leverage JDM/CM’s lab capability and make primary audio verification in field.
• Leveraging JDM/CM partner resources for projects development and engineering builds delivery.
• Collaborate with SQE to make the speaker performance as expected.
• Develop acoustic test stations together with test engineer and equipment supplier. 

Skills: Audio Engineering, Cross-Functional Communication, Audio System Design, Failure Analysis, Root Cause Analysis, Design of Experiments (DOE), Quality Assurance, Collaboration and Resource Management

• Provide feedback on audio workflow, content, and all show media elements in conjunction with the creative team when available/asked.
• Communicate and escalate issues to relevant project leads, project manager, and executive producer/account manager.
• Developing enhancements to our DSP solutions enabling easier integration and debugging of customer problems
• Collaborating with other teams to ensure that technologies are easy to integrate and support
• Performance measurement, analysis and benchmarking. 
• Making improvements by changes to algorithms or tuning Designing test plans and developing test automation.
• Envisioning and developing collateral material to help make our products easier to learn.
• Developing and communicating reference audio processing designs and refining formal product documentation
• Creating clear and thorough documentation
• Summarize and present technical data to fellow engineers and management team
• Documenting software, solutions, and building upon our internal knowledge base
• Working directly with lead customers on initial technology integration

Skills: Audio Workflow Expertise, Communication Skills, DSP Solutions Development, Cross-Team Collaboration, Performance Analysis and Benchmarking, Test Planning and Automation, Collateral Material Development, Technical Documentation Skills

• Edit, mix and master daily content.
• Ensure high quality audio capture on shoots – both in studio and on location
• Identify any technical issue and/or sound related issues and troubleshoot effectively.
• Setup, record and edit voice over sessions with talent and deliver finished edited tracks to editors.
• Perform repair tasks such as noise reduction.
• Assist other facets of production – set prep, teleprompter, etc.
• Work closely with Editorial to optimize audio quality and streamline workflows
• Maintain and organize audio equipment and voice booth.
• Stay relevant on current production technologies to offer information on how to always meet department goals.
• Regularly review overall productivity through KPIs and performance goals.

Skills: Audio Editing and Mixing, Technical Troubleshooting, Voice Over Recording, Noise Reduction, Production Assistance, Workflow Optimization, Equipment Maintenance, Staying Updated on Production Technologies.

• Lead (or assist in) audio recordings of future episodes of existing content and editing of content covering a range of sports, including the NFL, NBA, MLB, et al 
• Provide talent with everything need to be successful from an audio standpoint 
• Aid in development of new formats with producers from an audio perspective 
• Edit and assemble episodes of original content 
• Ensure all edits and recordings are completed according to Blue Wire editing specifications 
• Execute projects within targeted deadlines and budget scope
• Solicit, critique and shape internal and external conversational podcast edits and social breakouts 
• Collaborate with teams across Blue Wire including development, production, postproduction, marketing, operations, business development, business affairs and more
• Optimize the audio test system with effective products performance control and higher efficiency in mass production.
• Engage and coordinate with different local vendors (loudspeakers, microphones, DSP, test fixtures) to solve issues in product development.

Skills: Audio Recording and Editing, Talent Support, Format Development, Content Editing, Project Management, Feedback and Improvement, Cross-Team Collaboration, Technical Optimization

• Understand music arrangement and have the ability to edit music to fit to picture
• Potentially provide music composition and scoring on projects
• Strong interpersonal skills to create a professional, comfortable, and welcoming environment before, during, and after all sessions
• Support team in all aspects of production and post production. 
• Providing creative direction and other creative concepts
• Serve as assistant engineer on projects when requested
• Utilize various DAWs and other audio production platforms, musical equipment, instruments, and recording equipment at a high end professional level
• Coordinate with clients and talent for any and all scheduling and booking needs
• Be open to revision requests from clients, agency, brand, internal Overcoast team, and any other individuals involved in a project, addressing any notes in an accurate, professional, consistent, and timely manner.
• Send any/all requested deliverables and other assets in a timely manner
• Assist clients in any needs relevant to an ongoing project or potential project
• Manage multiple varied personalities and opinions in a professional and kind way, 
• Providing appropriate guidance and assistance where needed, and be able to navigate difficult requests while maintaining a warm, calm, even demeanor 
• Work on projects out of the Overcoast RVA Studio, but also out of other satellite locations or client facilities in Richmond, VA or elsewhere, as requested depending on project

Skills: Understand music arrangement and editing, Music composition and scoring, Strong interpersonal skills, Production support, Creative direction, Assistant engineering, Technical proficiency, Client and talent coordination

• Proficiency with Pro Tools, Logic and/or Cubase DAW.
• Familiarity with broadcast loudness standards.
• High level of familiarity with digital audio recording equipment and software.
• Experience with VO recording, mixing, and direction.
• Strong understanding of audio/video post-production workflow and codecs.
• Consistently reevaluate workflow for efficiencies and identify tool opportunity for the group.
• Proficiency with Mac computers and OSX operating system and cloud storage.
• Knowledge and interest in current trends in post-production technology.
• Ability to adapt to ongoing changes in processes, priorities, tasks and workload.
• Articulate, thoughtful written and verbal communication.
• Able to work independently or with a team.
• A quick, willing, and curious learner.

Qualifications: BS in Electrical Engineering with 2 years of experience

• Experience with audio system design include Audio Stack, analog and digital audio processing, CODEC software design, ADCs and DACs software design, 
• Knowledge in analog and digital microphones and microphone’s arrays requirement, knowledge of speakers’ design, and experience working on smart OP-amplifier software.
• Knowledge of audio testing and required to have speakers and microphones test understanding parameters setting, include analyzing and calibrating soundcards, speakers, and microphones.
• Understand signal control and signal analysis in time domain and frequency domain
• Has knowledge working with audio waveforms signals (time and frequency domains), 
• Good understanding of audio harmonics, signal power rating, Loudness and noise rating, Fourier transform, Filtering design, signal equalization and signal analysis
• Áble to execute ideas in C, MATLAB and Python and create windows based executables, in addition to working with DSP building blocks, and experience accounting for runtime speed and latency.
• Good understanding of signal analysis software knowledge with designing audio DSP functions to control audio and waveforms signals.
• Experience using MATLAB, LabView, Python, JMP or other languages to interface with audio hardware and process data for visualization and analysis
• Intimate understanding of end-to-end analog and digital signal path in an audio hardware device and its components including transducers, ADC, DSP, DAC, and amplifier
• Demonstrated experience in designing and performing audio tests in Anechoic environments using audio lab equipment such as B&K, GRAS, reference equipment such as speakers and microphones, and Audio testing equipment, and audio analyzing software.
• Experience with MEMS microphone control and integration into audio systems, including acoustic and electrical considerations.
• Develop and deploy end-to-end test software including test sequence, test plans, and equipment testing interface, and create specifications
• Develop and apply advanced methods, theories, and research techniques for algorithms development

Qualifications: BA in Music Technology with 4 years of experience

• Ability to design implements, and tests own algorithms with connected audio hardware.
• Good understanding and knowledge on how to estimate loudness and loudness rating of a sound source, broadband signals and narrowband noise and tonal content include stationary sounds, or arbitrary non-stationary time-varying sounds.
• Design statistical models and algorithms for signal classification and signal manipulations
• Synthesize algorithm needs and designs for customer requirements and interface with UI and software developers.
• Experience with object-oriented programming in C# and C++ or other languages that enable designing fast performing algorithm to control audio signals.
• Experience dealing with UI design and development for large data visualization
• Ability to manage projects autonomously.
• Good communications skills
• Experience with common audio digital and analog devices interface
• Identify, troubleshoot, and resolve issues found with software
• Design and improve software performance and write optimized and clean code
• Experience working with audio analyzers and oscilloscopes, multimeters, and other audio test equipment.
• Demonstrated ability to work as a team player, as part of a local and globally distributed team.

Qualifications: BS in Sound Engineering with 6 years of experience

• Experience in DFx (cost, test, manufacturing, reliability) 
• Solid Works, CATIA, or similar
• Basic understanding of audio system designs that include microphones and speakers
• Mechanical simulation, measurement, and technical tools such as COMSOL or Ansys.
• Rapid prototype creation
• Rub and buzz prevention on acoustic audio products
• Designing consistent high quality acoustic seals microphones and speakers
• Vibration measurement and analysis
• Acoustic test measurement systems such as Klippel, CLIO, Soundcheck, Audio Precision, etc...        
• Master’s Degree in Mechanical Engineering
• Proven track record of delivering high volume consumer electronic devices
• Subjective audio quality evaluation experience

Qualifications: BS in Audio Production with 3 years of experience

• Define the audio quality benchmarks on a project and inspire the team to achieve it.
• Experience in developing and maintaining audio roadmaps, schedules and capacity plans for the audio team in coordination with production and other departments.
• Demonstrate initiative and autonomy.
• Advanced Wwise user, experience with Unreal Engine and Reaper.
• Have experience performing and recording Foley and working with Foley providers.
• Experience mixing in 5.1 and 7.1 surround for games and linear media.
• Confident in organising and directing large-scale field recordings.
• Experience in tracklaying, mixing and mastering for trailers and cinematics.
• Able to direct and communicate effectively with music composers.
• Facilitates learning, growth and provides mentoring for the audio team.
• Experience in FPS, weapon design and multiplayer.
• Experience in producing dialogue pipelines, tools and playback systems.
• A basic understanding of technical audio skills and implementation.
• Experience with video editing tools such as Vegas and Premiere.

Qualifications: BA in Media Production with 4 years of experience

• Familiar with sound effects (bass, tremble, fade in, fade out …) and solution in Android platform
• Familiar with audio functions in the automotive industry, including audio tuning, ECNR, RNC, ANC, ICC
• Familiar with audio in both software and external audio DSP solutions. 
• Qualcomm audio virtualization knowledge
• Good C/C++/JAVA, Matlab programming and debugging skills.
• Good understanding of software engineering principles and software design frameworks
• Reliable and self-organized working style.
• Experience in noise/vibration, or audio, acoustic, or electrical engineering.
• Experience in audio, acoustics, and/or NVH testing.
• Experience in acoustic or electrical signal analysis
• Experience in hearable audio or other similar consumer products.
• Experience in audio or NVH test and analysis systems (e.g., Polytec LDV, SoundCheck, BK Connect, Artemis, etc.).
• Understanding of acoustic noise from electromagnetic coupling or electronic components such as capacitors and inductors.

Qualifications: BS in Music Production with 5 years of experience